(1601 -- 1672), was a Dutch Golden Age painter. Hendrick was the oldest son of Abraham Bloemaert. His brothers Cornelis and Adriaen were also painters. In 1626 he was registered in Rome, but by 1631 he was back in Utrecht, where he registered in the Utrecht Guild of St. Luke and married Margaretha van der Eem, the daughter of a lawyer.  Related Paintings of Hendrick Bloemaert :. | Montara Coast | sommeraften pa skagen sonderstrand med anna ancher og marie kroyer | Betsey Beckwith | den sk empirestilen kom pa modet under napoleons tid | THe Adoration of The Magi (mk27) |
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Henriette Ronner-Knip
was a Dutch painter. Born Henriëtte Knip in Amsterdam, she moved at a young age to Den Bosch and was until 1850 active in Sint-Michielsgestel and Boxtel. That year she married Feico Ronner and moved to Belgium, first to Brussels and in 1878 to Elsene. She studied with her father, Joseph August Knip. She was best known for her paintings of subjects from nature, especially cats and dogs.
FARINATI, Paolo
Italian painter, Veronese school (b. 1524, Verona, d. 1606, Verona) Italian painter and draughtsman. He was the son of a painter, Giambattista, but probably trained in the workshop of Nicola Giolfino (Vasari). His earliest documented painting, St Martin and the Beggar (1552; Mantua Cathedral), was commissioned by Cardinal Ercole Gonzaga along with works by Battista dell'Angolo del Moro, Veronese and Domenico Brusasorci for Mantua Cathedral, newly restored by Giulio Romano. As is evident in his chiaroscuro and figure types, Farinati had absorbed certain Mannerist influences from the frescoes of scenes from the Life of the Virgin (1534) in the choir of Verona Cathedral, executed by Francesco Torbido to Giulio's design. Giolfino's eccentric style would also have encouraged Farinati to emphasize line over colour and to restrict his palette to rather opaque greys, browns, mauve and rust. His two-canvas Massacre of the Innocents (1556; Verona, S Maria in Organo) displays the muscular figures, sharp foreshortenings and posed attitudes of Mannerism and has a more polished finish than his earlier work. Its strong, plastic qualities are also evident in Christ Walking on the Water and the Supper of St Gregory (1558) in the choir of the same church.
Avram (Abram) Efimovich Arkhipov
impression artist Russian, 1862-1930